Orbis Ring Flash for macro shots

The guys at Orbis Ring Flash have been so kind to post an article about my product photos using the Orbis Ring Flash, you can find it by clicking here

Thanks!

Andaman Islands, India. Red Snapper (Lutjanus bohar) caught with a stickbait. SB800 through Orbis Ring Flash

Andaman Islands, India. Red Snapper (Lutjanus bohar) caught with a stickbait. SB800 through Orbis Ring Flash, a photo by Nicola Zingarelli on Flickr.

The Orbis Ring Flash sure is a great light modifier for my fishing portraits, is just a tad bulky to carry on a suitcase full of lures, reels and all kind of tackle. Fort this reason I not always bring it with me, but when I do I never regret. She is pretty, has a gorgeous smile and can perfectly hold a fish, a great plus for a fishing photo. I love the specular ring on her sunglasses, is a kind of brand signature of the Orbis.

SB800 through Orbis Ring Flash triggered with Nikon CLS

Macro shots of products with a Fisheye lens

I’ve been thinking for a while about doing some macro stuff with the fisheye, and today I finally gave it a try. I have a Nikkor 10.fmm f2.8 fisheye lens that I really love. I don’t use it as much as I would because it the pictures tend to get tiring, but every once in a while it comes handy when doing some fishing portraits or landscapes.

This is quite an interesting result.

Not many people know that this lens can focus at a distance of…. I don’t know exactly but basically, you can rub the lens against the subject, as I proved once again today. You can then imagine how special of a macro lens can be. Everything is dramatically distorted; distance between foreground and background absolutely exaggerated, and quite some problems not get in between the light and what you are shooting

Still something that at least will make you smile

Well, if I can be let's say at 2cm from the subject, and have a softbox on top of me or slightly facing towards me, I will have to do some magic trick not to have the shadow of the camera, or my head, covering half of my product. Another issue is how to trigger the flash with the CLS. If I’m under the softbox, it is quite difficult that the sparkle of the pop up on my Nikon can be seen by the SB800 remote unit that is covered by the softbox itself. I leant it today the hard way.

Here we are getting worst, nothing really interesting about it

To find a solution I had to pull the good old’ remote cable and trigger the flash with that one, while putting the other flash in slave. Too bad my chord is so short that the softbox, most of the times, was falling on top of myself and the product. 

Anyway, when I started shooting the lure I had the confirmation that another of my fear was being confirmed. The background, for as wide and tall as it could be, was not enough to cover the 180º vision of the lens. Fortunately is not big deal because the light was quite dim and at 1/200sec and f9 everything turned almost dark (and I had room to further darken it in Lightroom).

Help me say: UGLY!

So I had my happy shooting with the 10.5mm Fisheye, and the results can be seen here, some fun even interesting, some plain awful. I will give it a try again in the future, but I have to work a bit on some details, especially lighting, which can be tricky. For these shots I had my two SB800 through a Lastolite Softbox III on camera left, and an Orbis Ring Flash on camera right

Yellow daisy shot using a Orbis Ring Flash in the background and a Lumiquest Softbox III as main light







Today I had to take some studio shots and at the end of the session I stole one of my wife's flowers and had some fun. While taking some pictures of it with the Orbis Ring Flash I had the idea of using that very light modifier as a background, centering the flower in the black hole that is commonly used to stick the lens.

The how-to... Lumiquest Softbox III
on camera left, Orbis Ring Flash
as background



I adjusted the camera on the tripod to have the flower exactly in the middle of the black hole and did few test shots. The ide was cool but I needed an extra light to bring up the flower a bit. All that backlight couldn't do it by itself.

So I added an extra SB800 with a Lumiquest Softbox III and..voilá

Front cover shot for the magazines: Voyages de Pêche, Mundo Pesca and Pesca&Barcos. Sb800 through Orbisflash

This image has already become the front cover for three different magazines: Pesca&Barcos in Spain, Mundo Pesca in Portugal and Voyages de Pêche in France. Is a shot that I love, perfect timing around sunset, great smile and amazing Sea Bass. I lit it with the SB800 through the Orbis Ring Flash, a wonderful combo for my fishing portraits

Orbisflash for still life

For this test we found quite an unusual subject for the Orbisflash, a still life. I’m pretty sure that this ring flash was not designed for anything like that, but we had fun for half an hour trying different angles, and finally comparing it with a Lumiquest Softbox III, a Lumiquest Snoot and finally a bare SB800.

In this first image we have the Orbisflash on axis with the lens. That is, the lens goes through the hole :-) . The light gently wraps the whole subject

Now we moved the Orbisflash from the lens to camera left. The light is still nice and wrapping, we have more shadows and probably a more interesting picture

The Orbisflash is on top of the subject. This is the option I like the least, the light is a bit dull and there’s quite a loss of contrast and details.

Here we have the Lumiquest Softbox III right on top of the lens, trying to mimic the direction of light of the Orbisflash. The result is quite similar to that of image one, thus the light is not as wrapping and creates more edges

Lumiquest Softbox III on camera left. Compared to the second image we have more contrast here, darker shadows and stronger highlights. Is more contrasty

Softbox III on top of our garlic. The result is not too different from the one we made with the Orbisflash with the same settings.

Here we go for a very hard and narrow beam of light. The Lumiquest Snoot creates some kind of bad chiaroscuro, with very harsh and unflattering shadows.

Another hard light configuration. The SB800 is now bare, and the light again very unflattering. Lots of unpleasant contrast, same as in the previous example, yet we have a wider beam of light and it spreads more around the subject.

Orbisflash for macro work

I’m slowly getting familiar with the Orbisflash and this time I gave it a try with a macro subject. Working with the 60mm Micro Nikkor stuck at a mere 10cm from the lure, I did some fun testing

For works of this kind there is no other option but to place the camera on a tripod. Otherwise we would have the Orbis on the left hand and the camera in the other with both hands shaking and major focusing problems. Still, a sharp focus with a macro lens so close to the subject is extremely complicated. If you pay attention, even at f16 the depth of field is so limited that the metallic paint is not as focused as the eye, and I think the difference in depth between the two certainly cannot be spotted without a magnifying glass.

The Orbisflash, as many ring flash used in fashion photography, it gets reflected in a very unique way in the subject’s pupil. It is true that in the human eye is quite pleasing, very cool I’d say, I wanted to see if it would work as well on a plastic one, and to be very honest I believe it does. From the first to the second picture you can see we have slightly moved the Orbisflash from the lens axis to an off-camera position, and the reflection moved as well.

The light that provides such peculiar flash will sure have critics and devotee; I personally find it very cool. It wraps the subject in a very uniform shadowless way, yet not flat or dull, and delivers enough contrast to the image.

When I received it from the shop I thought it was a darn bulky monster, but now, after very little use I handle it with the same ease I handle my SB800 alone, and I am finding many and different applications for it.

Metal Still Life

I studied THE BOOK “Light, Science and Magic” trying to understand the big deal of the Family of angles. Reflected and diffused light and did a bit of experiments

Using a black vinyl background and a metal lure can be a dangerous combination. I needed to keep the background black and make the lures shine, with a bit of reflection on the glossy plastic.

To achieve such result I used a combination of two lights, SB800 of course. One is bouncing the light off a big Lastolite 40” Umbrella box and the other one has an Orbis Ring Flash with it. Both light triggered with Nikon CLS.

First of all I made a sticky ball with duct tape to lift the jigs from the bottom. I put it in the back in order to achieve a bit of angle, reflect the light and show the length, height and width. Then I poured few drops of water to get more reflecting surface and decorate the image.

The Umbrella Box was placed 90º with the table. By doing so I had the light reflecting against the jigs but not the background that remained black. On the back of the jigs I had the other flash with the Orbis Ring to bring up the shadows a bit

Honestly, I love these still lives and will keep experimenting