Putting the lights within the frame. Sculpo crankbait by Molix, studio shot

One of the simple rules I have understood in this photography business is that eventually there are NO RULES!

I have seen some cool images of guys putting their lights within the frame and for this reason I decided to try the same in one of my studio shots. What I wanted to reply, in a way more reduced scale, were the stadium or stage lights, all pointed to the subject that is the center of attention.

To achieve that I had to work on a table longer than usual and using a wider lens, otherwise I would have either missed the two SB800 that you can see in the frame, or too close to the subject with serious problems, at least for me, to control the light. In my first attempts I only used the two visible light, but even though the lure is translucent I was missing a good deal of light on it. After several try with reflectors I had to pick up a third light, Metz 58, and use it at its lowest power with a tight zoom and a grid to make the Sculpo pop up.

The result is in front of your eyes, I love the lights in the background even though I would have love them showing a "star" instead of the rectangular shape of the SB800, and I would have loved the product to be a bit bigger but I think I can work that out a bit.

If anybody has an idea of how to improve this kind of images please feel free to drop a comment either in the blog or in Flickr, I'd highly apreciate.

Lures diving in the water, studio shot with two lights on a blackbackground

Yesterday a friend showed me an image of a lure swimming in the water on a black background. This was some sort of relief because when I did my first test, I had to quit the idea of using a black background because reflections flare and light spills were everywhere. So yesterday, with renewed energies I set up my studio and the first thing I did, in addiction of putting my black vinyl background, was to cover 2 sides of the tank with black cardboard.
I also got rid of the large lights, any umbrella or softbox would send too much light out of control so I decided to go hard and small. One SB800 was set with its dome and the other with a Honlphoto Grid one of each of the narrow side of the tank, power settings changed a lot during the session so is hard to tell which has been the most commonly used. I also switched the main light from one speedlight to the other, again hard to tell some sort of rules.
Once everything was set the first test shots were suggesting a decently dark background that could be easily manipulated in Lightroom, giving me the proper black I needed. Now I needed to find a way to focus on the lures, so I put one in the middle of the tank, same distance from the two longest walls, and hoped for the best. I obviously took the focus with the lure under the water, I have read somewhere that the liquid element not only increase the magnification of the objects but also swift the focus point.
Since I was on my own I needed something that could help me moving the lures, for this reason I tied them to a thin fishing line of the length of the longest side, with a weight on the other end. I could pull the lure to one end of the tank, the weight would lift up to the opposite edge and once I released the lure the weight would pull it to the other side … gravity!

I shot with the camera parallel to the wall of the tank, with a bit of angle from above, a pretty high angle, and a very low one and achieved different results. Parallel or with a small angle worked fine, the images are sharp when the focus is on the money, but from a very high or very low angle, like in this image, sharpness and focus became an issue and I believe that is because of the thickness of the glass, that would create refraction and a bit of distortion. I’m not an expert on this matter but I believe I’m not far from the scientific explanation.
I made so many shots that my D7000 was smoking, well at least it was very hot and sometimes needed a break to process the files. The SB800 showed how good they are for the hard work, not a single complain, never stopped, always recycling fast and with just one set of batteries. Some intensive processing in Lightroom followed, I needed the blacks to be black, and the lures to be sharp and well exposed. It has sure been a challenging experience, I have made an unlimited number of mistakes and probably none of the images is really good, but it has been my first step, hopefully I’ll do it better next time.

The Magic Strait

Truly magic, and I really mean it. How many times in your life the stars are aligned to the point that everything, and I really mean EVERYTHING goes well ? Such it was for us last week and if you care to listen, here's the real story.

Two entire days of fishing in the Strait of Gibraltar, a bit of jigging (almost nothing) and a lot of popping, so the Master Paquito decided for us. he knows his home turf (and surf). Two smal boats left the harbour Monday morning, 12 meters the pair, you don't need a yacht for this kind of fishing. 4 fishermen, Paquito and Nelson (well his name is Félix but we have re-baptized him Nelson, the Cuban skipper, but this is too hard to explain) at the helm and Vincenzo and myself, pretty much looking forward to see what the Strait of Gibraltar was going to deliver. Dani and Fran, the cameramen, with as much expectation as the rest of us.

The one who's writing this report has been the first to cast. the first to have a strike, right on cast one. And it never stopped! Two days in a row of non-stop fishing, cast after cast until the sun, too high in the sky called for the quits. Lunch break, a little siesta and back to the battlefield for more hours of amazing action. I have fished few and far remote seas all over this darn planet and believe me, very few times I have seen anything like that!

We landed four different kind of fish, Barracuda, Bonito, Amberjack and Sea Bass. Most of them on top water and few with swimming plugs and minnows. We used the magic Habano for the top water action and it killed the Sea Bass, the Brugas again for the Bass in the foam from as well as the T-jerk and Finder Jerk this time for Barracuda and Bonitos, Surface Cruiser and Roosta Poppers completed the arsenal and as wild card the Trairao, Imakatzu top water star, that landed the big Amberjack.

I used my Lamiglas travel rods, the 7025 up to 1 1/2oz, both for casting and spinning. They worked wonder, casted flawlessly, fought like Spartans and handled the roughest situation at the best. Three pieces, lightweight and just perfect, a lot of fun to fish with them. Two daiwa reels completed the tackle department, both rigged with 30lb Tuf Line, always MY line of choice. We rigged a good deal of lures with single hooks, and they worked wonder. In fact, Vincenzo landed the Amberjack only because he had a Decoy Sergean' in the rear, the belly treble just opened up like a banana skin...


Paquito told us it was probably going to be good but he didn't say it was going to be THAT GOOD1 Awesome. Amazing! Just one (or two) of those days. I will never forget it.

The Italian lure company Molix debuts in Japan

The Italian lure company Molix is proud to announce a new partner for the distribution of his products in Japan. Since August 20th Paolo Cartocci Uchida
(cannot hide the Italian origins) has decided to share the journey of Molix,
taking on distribution and promotion of Molix products in the country of the
Rising Sun.

Molix staff, who have always been paying special attention to the Japanese quality and creativity in lures design, has finally reached its goal which is part of a process that includes a broader proposal of Molix products and business alliances, in order to make these items available to a large audience of enthusiasts.

The cooperation Molix-Uchida will also be an incentive towards continued innovation and development of products for the Japanese market.
Paolo Cartocci Uchida - Molix is based in Hiroshima, a place of spirituality and memory. A city evoking dramatic events, but at the same time representing a
symbol of rebirth.

The percentage of Italian blood that flows in Uchida’s veins will help him convey to the Japanese Molix’ values and style, for sure not too far away from Japanese’s’ own.

We will keep you updated on the news. In the meantime we suggest you often visit the Website:

Molix Japan

The Habano now available in three sizes

We finally have three different sizes of the Habano, one of the stickbaits that excited me the most during the last season. A superb design by Alle's lures

The 20cm came first, a lure designed for GT, Cuberas, Tunas and big animals in general. Now we have added a 16cm X 70g and a 13cm X 45g, more appropriate for smaller fish, like Bluefish, Leerfish, Snappers, Barracuda, Kingfish and also again for some big pelagic, like a Tuna that is more interested in smaller offerings.

As always the construction is very meticulous, the wood is deeply impregnated with protective resins to avoid water absorption when bitten by a toothed critter. Six layers of paint that stick chemically to prevent peeling, and three layers of epoxy especially developed for the tropical treatment complete the armour. All lures have a sturdy wire-thru construction and carry oversized swivels of the highest quality

So far available in two colours but later we will have more. Soon available the 11cm X 30g size, a beast for the Sea Bass.

Molix T-Jerk, amazing Sea Bass lure

After the fabulous fishing that has given me in Cork I doubt I will take too long to put it in the store. The Molix T-Jerk Suspending 11.7 cm has really surprised. First, it casts very well, the ball bearings in the body do their job perfectly and the small bib is not so much of an aerodynamic issue. But what has impressed me, especially considering that I'm not a fan of this type of lures who travel below the surface, is the action it has.

I tried several different kind of retrieve, slow and even, slow jerks and pauses, fast jerks and stops, fast and steady with no pauses, and finally very quickly paying with the rod tip up and down, producing violent jerks. The T-Jerk responds perfectly to each one of these actions, and never fails or starts swimming in a weird manner. Being suspended as well, during pauses and stops it stands still, and has been precisely during these moments I've had most of the strikes, until I finally managed to smash the bib against the bridge’s pylons.

Let's say that somehow this lure made me come to terms with the family of the "swimmers”. Two strikes few feet from the boat were as good as those I had on top water, and I have learnt something new

Ireland, July 2010. Can life be better ?

Don’t really know where to start from, the country, the people, the fishing…. Have you ever had that kind of feeling that EVERYTHING has been perfect or nearly so? Well, this is the taste my latest Irish trip had; one week spent filming two fishing documentaries for Sky TV in Italy.

I spent a jolly good afternoon roaming around Dublin waiting form my friends to come, and had the chance to take some photos of this beautiful city. I missed Dublin since mid nineties and I was very happy to be there again. At nigh an enjoyable dinner and some pubbing and clubbing completed the day. Travelling with me Boris Salnikoff, the director of the show, and Vania Corá the cameraman, both great guys to travel with. The plan was to film fishing for Sea Bass and Pollock both on flies and lures, from shore as well as from the boat. The shore fishing was in Kerry again, with John Quinlan, and the bay of Cork was our scenario for the boat fishing, with guide Kevin Murphy.

This is a blog so I won’t make it too long; I think that the photos will speak mostly for themselves. The first two fishing days in Kerry have been a tad slower than usual. We had to work a bit harder to find the fish and due to a severe change of weather happened the week before our arrival; the Sea Bass wouldn’t cooperate too much. I managed to land 5 fish mostly on softies and Boris had none, fighting against the wind and with fish swimming too far for his fly rod. Fishing for Pollock has been another story altogether. We found them good, in a place with not such difficult access and caught a good deal of them. Boris with an ultra fast sinking line had 4 and I hooked the same on soft plastics and landed 3. John, our guide I think had more that any of us, even though he fished for a shorter time. As usual great food and relaxed atmosphere at the Thatch cottage lodge. (John just dropped me an e-mail 5 minutes ago: Suprise, suprise the bass have turned up in numbers not long after you left. Two of us have had about 40 in the last 3 days up to 7lbs. All were caugh early in the morning on the beaches. Its a pity we did not find them when you were here but I suppose that's fishing)

In Cobh we found a different environment, and a whole new experience was waiting for us. Kevin Murphy had put us on a nice non stop fishing plan, and boy, was it good or what? We arrived at the Bellavista hotel, had a chance for a brief chat and a tea with Kevin and Michael Hennessy, and hopped on the boat for our first afternoon of fishing. For some reason we couldn’t find the Sea Bass willing to snack on our candies but the Pollock were just swarming all over the place. Probably Boris caught 20 plus while I was skimming the surface in search for Bass, and three of those hit my walking the dog without being hooked. Eventually, when the sun went down the Pollock came up and hit the surface lure ravenously, and I had my share of fish too.

Next two days in the Cork Bay have been nothing short of amazing. The Bass showed up, in numbers and in size. Boris lost his virginity on the Irish Labrax and managed to land 5 of them on small gurgles and streamers and I had 9 fish up to 7lb on quite a big walking the dog, (Habano by Alle’s Lures) and on a Molix T-Jerk chartreuse that nailed 3 fish, including the biggest of the week, in less than half an hour fishing downcurrent a large pylons bridge.

Ok, if you like fishing light tackle, if you are a fly fisherman, if you love Sea Bass, enjoy being in a nice place with nicer people, drink good Guinness or Murphy beer and have a jolly good time, go to Ireland and fish with my friends. They will not only put you on fish, in the best spots, at the right time, but also make you laugh and feel at home.

There are few sincere thanks I’d like to put on writing. Fabiana Marraccini and Orla Woods at Fâilte Ireland, the National Tourism Development Authority, you girls are just great! Lynn & John Quinlan at Thatch Cottage Ireland in Kerry, Kevin Murphy at Bass Fishing Ireland and Michael Hennessy of the South Western Fishery Board. Knowing you and being with you has been a true enjoyable experience I’m very much willing to repeat as soon as possible. Thanks for everything!

Orbisflash for macro work

I’m slowly getting familiar with the Orbisflash and this time I gave it a try with a macro subject. Working with the 60mm Micro Nikkor stuck at a mere 10cm from the lure, I did some fun testing

For works of this kind there is no other option but to place the camera on a tripod. Otherwise we would have the Orbis on the left hand and the camera in the other with both hands shaking and major focusing problems. Still, a sharp focus with a macro lens so close to the subject is extremely complicated. If you pay attention, even at f16 the depth of field is so limited that the metallic paint is not as focused as the eye, and I think the difference in depth between the two certainly cannot be spotted without a magnifying glass.

The Orbisflash, as many ring flash used in fashion photography, it gets reflected in a very unique way in the subject’s pupil. It is true that in the human eye is quite pleasing, very cool I’d say, I wanted to see if it would work as well on a plastic one, and to be very honest I believe it does. From the first to the second picture you can see we have slightly moved the Orbisflash from the lens axis to an off-camera position, and the reflection moved as well.

The light that provides such peculiar flash will sure have critics and devotee; I personally find it very cool. It wraps the subject in a very uniform shadowless way, yet not flat or dull, and delivers enough contrast to the image.

When I received it from the shop I thought it was a darn bulky monster, but now, after very little use I handle it with the same ease I handle my SB800 alone, and I am finding many and different applications for it.

Molix, Italian design for lures

Let’s put it this way, if Italians are famous around the globe for their magnificent styling, design and architecture, why they cannot become the best lure designers in the planet?
I guess you guys are familiar with Ferrari, Lamborghini, Alfa Romeo, Armani, Versace, Scavolini and many other famous names and brands born and developed in my country. It’s something that we, as Italians are pretty proud of, can’t hide that.

Now, a group of crazy fishermen decided that it was about time to do something with a very high standard in the lure design field.

This is how and why Molix was born. Produce the best lures with original designs, no copycat or stolen ideas, with the best possible quality. So good they can rival the highest Japanese standards, and if possible, beat them. Molix Lures come for 100% Italian ideas, design and investments, mixed with Asian high tech quality manufacturing.

One of the owners of the company one day told me: “A Japanese guy said to us that we had a crazy idea - “The Italians are good at making ledgering and Bolognese rods, but they will never make good artificial lures, this is Japan’s business.” I couldn’t disagree more and we have hundreds of examples that show exactly the opposite. If we can build a Ducati we can sure make a 15€ plastic lure that fishermen will enjoy using and that will catch fish for them.

Nothing is impossible 