Main light? A mirror!

That's right, the main light I have used for this shot is a circular mirror where I bounced the light of an SB800. The reason for this is because the snoot that I have doesn't give me a perfect circular rim of light and most of all because not long ago I watched an interesting video about lighting a product with mirrors and it looked pretty interesting to me. Interesting and challenging I add, in fact it is all about studying the angle of the light, a study that I believe most studio photographers had to go through at one point in their career. Since I don't use continuous lights, I had some trouble in finding the right angle to achieve the shot I wanted, it costed me a bit of batteries life through a bunch of test bursts until I figured out where the circle was going to sit for my shot. Hence, contrary to the appearences the speedlight is on camera right gridded it with a Honlphoto grid to control the light spill as much as possible, and it bounces the shaft against a circular mirror that becomes the main light and lit the three lures. Everything has been controlled with the Nikon CLS system. Camera Nikon D7000 with Nikkor 60mm f2.8 micro lens.

Orbis Ring Flash for macro shots

The guys at Orbis Ring Flash have been so kind to post an article about my product photos using the Orbis Ring Flash, you can find it by clicking here

Thanks!

Speedlighting to the extremes

There are things you can do with a bunch of speedlights you would have never imagined... I love what Dave Black does with light&lights

New Ezybox Speedlight

You have seen how much I use the Lastolite Ezybox. Here's a smaller and even more versatile version of it, ready for your flash even when is attached to the hot shoe.


The new Ezybox Speed-Lite is a 22cm x 22cm mini softbox which attaches directly onto a flashgun whether it's on or off the camera. The softbox folds in the same way as our other highly successful Ezybox softboxes making it an ultra portable solution for busy photographers. The Ezybox Speed-Lite also features an inner and outer diffusion layer (both removable) which delivers an unrivalled softness of light from such a small softbox. 


Check it out 


http://www.lastolite.com/ezybox-speedlite-softbox.php

Lumiquest Softbox LTp

Lumiquest has another cool light modifier for us, chek this video, it looks like a pretty darn good idea

Lastolite EzyBox

A couple of videos for you to watch. Is an interesting lesson of how to set your Lastolite EzyBox and then how to use it. I got mine a while ago and I'm sure happy with it. Is lightweight, portable, and delivers a terrific light. The image here on the left has been taken with an SB800 through it. Check them out and then maybe you will want to get one yourselves

Lastolite Umbrella Box 40"

Lately I have red many good things about the Umbrellas with Diffusers so I decided to treat me to a brand new 40” Lastolite Umbrella Box. I had the choice for a larger one but I knew I couldn’t use it with small speed lights so I had to quit on the megalomaniac idea.

Kirk Tuck, in his latest book mentions a lot the Photek Umbrellas with diffusers, he suggest they can deliver a light almost as soft as a very expensive Octabank and uses a lot the 60” with Alien Bees or Profoto 600W lights. This is where I got the inspiration for my purchase and decided to give it a try the minimalistic way.

It would not be fair to say that I run a very extensive test, in fact I didn’t. Just put together a background, two stands and the D90 on a tripod to take some shots at my new baby reel, a Team Daiwa Bradia 2000, a tiny little jewel. I left the diffuser dome in the SB800 and had to pump it to ¼ power in manual and 200 ISO to achieve this f11 at 1/200 seconds. The Lastolite Umbrella Box was positioned right on top of the reel. The second light is an SB800 with diffuser dome on through a LumiQuest Softbox III, a small yet powerful light diffuser. This was feathered a bit towards the background and flagged with a small gobo to avoid light spill on the reel. The power of this light was set at 1/32. Both flashes have been triggered with Nikon CLS in separate groups

For the sake of it also have a look at how the light works with different modifiers. For the following images we got rid of the second light and just used the SB800 on top of the reel, see the difference:

SB800 with diffuser dome only

SB800 through LumiQuest Softbox III

SB800 through Lastolite Umbrella Box

Video information about Nikon CLS

Since it took me a bit to understand how the Nikon CLS system worked, I think it could be of some use for those willing to master this powerful tool to watch these videos

The "Commander" use is for me the #1 choice both when I'm indoor and outdoor, especially when using the SB600 or the SB800, very reliable and powerful units. You can trigger your flashes either with the pop up flash of your Nikon or using the SU800 commander. The important thing is that the receiver, which normally is on the lower right end of your flash, can actually see the light from the pop up or receive the infrared signal from the SU800.

These videos are not new, they've been out for a while, as well as the CLS, but they are still of much use.