Sunset on the spanish fields.

Sunset on the spanish fields., a photo by Nicola Zingarelli on Flickr.

I didn't have much time on a late Saturday afternoon, we were playing cards until 6:00pm and with the summer days getting short couldn't scout too many places. I wanted to go back to a lake I have photographed a couple of years ago but eventually I got lost and couldn't find it. So I took an anonymus dirt road and looked around for a nice place to photograph. To be very honest with you, I didn't find anything interesting so I took some average photos waiting for a better light to come. When the sun disappeared behind the horizon, the sky started to turn into a deeper blue and the puffs of clouds picking up the colors of sunset. Here's what I got for you today, nothing to rave about, yet a serene sunset on the spanish fields. Life's good!

The Spanish meseta. Dark sky, bright field

The Spanish meseta. Dark sky, bright field, a photo by Nicola Zingarelli on Flickr.

Sometimes thinks cannot go any better than this. The sky is dark, gloomy and menacing and the sun sneaking from under the clouds, around sunset time. The light is almost perfect, and the whole atmosphere is pretty dramatic. The converging lines bring the attention of the viewer to the dark sky that for me is the most important subject of the image, together with the color contrast. I worked hard on Lightroom to enhance the colors, clarity and contrast of the image and make it look the way I saw it. Sometimes, things don't get any better that this...

Retiro Park, Madrid

For somedody who live sin Madrid and loves photography paying a visit to this beautiful park is almot a duty, or at least it should be. During my stay in this city, now since 1995 I have been to the Retiro several time, yen never with my camera. I fixed this obscene issue last week, a short visit during abeautiful fall's afternoon: my D90, the Tokina 100 f.28, the Nikkor 18-70 f3.5-4.5 and the tripod, here to follow the result of the visit

Backlit iamegs are my favourite, and if there's a human being in the shot much better

Fall is quite a romantic or depressing season, is just a matter of taste. For me is the "Antipasto" of the winter, which I hate... The lone man walking on the park adds something to the shot

Sidelight, almost backlit I should say. Warm and beautiful

Light and water, a combination that always attracts me

The "classic" Retiro shot, the pond and the monument to Alfonso the XII

Aranjuez, Royal Palace, a lucky moment

In this photographic business the lucky factor is quite important, and being in the right place at the right time with the camera in the hand can make the difference. So I learned once again few days ago.

On a short tourist trip to Aranjuez with some relatives, I took my Nikon with me. I had few things in the vest like a replacement lens, a flash, gels and optical cleaning paper, in order to travel as light as I could, no heavy bag this time. The tripod stayed at home too, it was just a tourist trip and there was no time to use it.

After walking around town and enjoying its monuments and gardens we went back to the Royal Palace. The sun, at about 7PM was low on the horizon and together with strong winds, a storm threatened from the sky. I stood in front of the entrance with the sun almost on my back (unfortunately) and in front of me one of the most amazing shows a photographer could aim for, unveiled. The Palace was shining and perfectly lit against the gloomiest and darkest sky. There’s enough light so I expose for the palace and let the cloud get darker. I’m also looking for the best composition I can get out of the lens I’m using, the modest yet decent 18-70 f3.5-4.5. At f13 I can still get 1/320s.

During this moment of ecstasy, a couple of strong gusts of wind offered me a new opportunity. A cloud of dust appeared and pushed by the breeze dimmed the left hand side of the building. Even though the current of air shoved me quite hard such that I could barely keep my balance, I still managed a couple of shots of that moment as well. Right after, I picked up my things and headed back to the car, as happy as a kid.

Are Sea Bass aggressive or what?

Check this out guys, a good fishing week-end, lots of strikes and many missed fish. Good fun, the best you can get in a Mediterranean summer day. Light tackle all the way, like the good ol’ times.

We used walking the dogs and soft plastics rigged weedless and without any kind of weight: Super Flukes, Houdini Shads, Slug-go, and alike. First shooting with my new combo and the photos are mostly crap. I have to get used to it and work my way with the new flash too, is just a simple matter of time.

Look at this little European Sea Bass what kind of lure tried to inhale. And haven’t I been so lazy I would have had some other images of mini predators taking WTD as big as them, but the fish were biting and I was more into the fisherman rather than the photographer mood.

About time for some fishing

People sometimes complain that there’s not much fishing in this blog. Fact is that for me, living in a city like Madrid, there are more opportunities to take photos rather than go fishing. Said that, a couple weeks ago I drove some 500km to the north east of Spain to meet a couple of friends and fish the waters surrounding the Delta of the Ebro River.

This place is quite emblematic for the Spanish coast. Is probably the best spot for Leerfish, Bluefish and Sea Bass plus a number of smaller pelagics. Sometimes Tuna and False Albacore show up yet it offers a very scarce jigging action. I have fished this area since 10 years probably, and I think I can say that I have been the first in consistently using top water lures, introducing the technique to many people who now use it with great results

During our two half days and one full day session we had seen quite a bunch of fish following our lures. My friend Oriol hooked a pretty large Leerfish and as many times happen he lost it during then fight. These darn fish for many different reasons are very tough both to hook and to keep hooked. I don’t know if is because of the hard mouth, the way the hit the plug or the fight they develop, but the fact is that for every 10 you have following your lure you are quite in good shape if you bring one to the boat

The Bluefish amused us with their spectacular strikes and fun fights. They’re not the main target but hey, they’re a good alternative and deliver tons of action. We also tried the Sea Bass, with scarce luck. Three small fish caught and one monster behind a lure creating a wake of impressive size. The good thing about Sea Bass fishing is that you can use very light tackle, and this is for me, at the moment, a major pleasure.

Oriol and Carlos, my fishing buddies, showed me how far the top water technique has been developed in their area to catch all these predators, and the funny thing is that in other areas of the Spanish coast, things can be dramatically different, and what works in the Delta, doesn’t’ work in Alicante, just to make an example.

I must admit that now what really attracts me is the light tackle action. I’d love to nail a large Sea Bass with an 8lb rod and line. I’m addicted to the walking the dog top water lures, I’d love to be more acquainted with the soft plastic and everything able to give me back my wrist sensibility lost in many tropical battles. Medium or heavy top water fishing can be fun, but for me it makes now sense to do it if the opponent is a member of the Tuna family. I have a pending affair with those fish and they’re at the top on my favourites list, but this is another story yet to be written...

Bullfighting in Madrid

Last Sunday I received a wonderful invitation to see a “Rejoneo”, one special kind of bullfighting where the bullfighter rides a Spanish horse, especially trained for this kind of show. The place was nonetheless the “dome” of Spanish bullfighting, the famous arena of Las Ventas, in Madrid. Hermoso de Mendoza, Andy Cartagena and Sergio Domínguez completed the billboard against 6 bulls from Los Espartales. That’s enough for technical infos, I’m not a bullfighting major fan or expert and the main reason I went is because I love to see what they can do with the horses in front of the bull, something absolutely magic.

Fact is that I had THE seats. “Tendido 9”, front row. Nobody in front of me but the bullfighters and helpers ring, the fence and the arena. Obviously I took with me the entire pack of camera equipment: my old D80. 5 lenses, SD cards etc. First lens to be used a Nikkor 10.5 f2.8 Fisheye, just to get an idea of how the “Plaza de Toros” looks like

The zoom that worked the most has been the Nikkor 18-200, pretty efficient in terms of focal length and fast focus yet not fast enough neither too sharp, especially when worked constantly at f5.6. As the afternoon light got dimmer also the D80 showed its limitations with the high ISO I needed to use. Noise was showing pretty heavily in most of the images and together with my scarce experience in these kinds of photographic events, delivered many poor images, and many already swallowed by the recycle bin.

Among the major difficulties I had in the beginning was trying to compensate the exposure difference between the shaded areas and those where the sun was still heavily shining. Once it settled lower on the horizon I switched to manual and worked more or less with the same setting for the rest of the evening.
Eventually I found myself with a bunch of underexposed images, more noise then, while those I have tried to shoot at a lower shutter speed came out quite blurred… It’s the story of the dog biting its tail, and sure enough I couldn’t go any further than ISO 800.

Have played with different kind of focusing, shutter speed, metering and focus point, and when the 18-200 became too slow to capture the dimmer light of the evening I switched to the 60mm f2.8 trying to gain a couple stops. Unfortunately, because of the Murphy’s Law, the rest of the action happened almost entirely on the other side of the arena and couldn’t get many decent frames.

Anyway, let’s not find excuses, what was missing was a good photographer dealing with the situation: my complete lack of experiences in sports and fast action in general heavily shows in the results and the only thing I can think of now is to go back in the near future and try again. Thus, I doubt very much I will be able to do it again from such privileged position.

If I will have such chance I will try to put my hands on a good 70-200 f2.8 and a body that allows me to pump up the ISO with no fear. Is a very exciting show and there are many good opportunities for amazing photos.

"The Bridge" session.

Yesterday evening I went scouting for a place where to relax a bit and take some photos. As usual I was looking for some running water hence I opened the map and headed north, towards the Sierra of Madrid. Without knowing it I arrived to a place that I have already visited with my wife and daughter and recognized a road to the Jarama river, in an area not infested with bulls and hardwired fences.

The familiar noise of the running water raised my spirits. I put my high boots, grabbed the camera and tripod and took my way down to the valley, where the Jarama River was running. The photo session was OK but nothing spectacular, many different shots in places that somehow called my attention, but I was enjoying it. Every time I go out to take a picture I try to take it as a learning experience, not thinking about coming out with a winning image. Hence, whatever it comes, if is an improvement over previous tries is a goal achieved.

Towards the end of the day I discovered this sort of a "Bridge". Maybe is just a decorative log, even though I doubt that the elves of the woods spend their time re-decorating it just to make it look nicer. Anyway, I placed the tripod and started playing with exposure, white balance and obviously the flash.

The first shot I'm showing here is very orthodox. Cloudy white balance and nothing else. I like it but is probably average, it doesn't have any special "edge".

This is a B&W conversion of the same shot, maybe is a little bit more appealing because of that Black & White feeling yet is not a gigantic improvement. For a novel photographer like me is a nice image but I understand that it cannot compete on the major league

Here below is where I started playing with the camera configuration and my always available portable speed light, in this case a Nikon SB600

Here things started to get a tad odd. I changed to WB to tungsten and played with the SB600 speed light with two full CTO gels on it. The result is a tad exaggerated, the "Bridge" is cooked, way too hot. There's a lot of flash light spills on the ground as well.

Second attempt. Mellowing down on the gels and the amount of flash bursts. Changed the white balance in RAW to something closer to Fluorescent rather than Tungsten. The result has improved a bit but at least to me it still looks a bit too hot.

Third attempt. Maybe I'm wrong but I think this is the right way. There's no signs of the flash bursts on the ground and the color given to the "bridge" is more natural, yet still creates a contrast with the background. Unfortunately I couldn't paint with the flash further that half the log. For my next attempt I will try with a torch.

Funny enough I don't seem to be able to do landscapes kind of stuff without playing around with a strobe. Maybe one day I will grow up :-)

I like this photo, do you?

Last week-end we went for a day to Medinaceli, a small village north of Madrid, quite a nice one. I like to walk around town grabbing images of the historical part (well, almost the whole place is historical). I have done it two or three times already and have collected a nice deal of images. I said a nice deal of... I didn't say nice images...! Well, the other day we walked to the other side of the village, where the fields and I saw this image in front of me. No tripod available so I had to rely on the lens' VR to get a decently sharp image. I kinda like this photo, is a bit "empty" on the left side but the landscapes with the windmills generates a decent contrast with the "old fashioned" foreground. Do you like it at all?