The Unknown Soldier

The Unknown Soldier Non-HDR version

The power of HDR images is sure known by many of you, but I still wonder if this has really much in common with photography, as we know it. Yes, you still have to find a nice composition and framing, the subject must be interesting and you got to know the technique to take so many different exposures, but after that, the software's algorythmics do the rest for you. All right, you have to know how to move the slides, but this is the same in Lightroom or Photoshop so its just part of the game.

The Unknown Soldier HDR version

Five exposures can turn a so and so image into something quite dramatic and eye catching. This is a night shot of the Unknown Soldier in Piazza Venezia in Rome. The Romans call it the Typewriter, because of its shape. I put it together in Photomatix using a quite conservative editing, like many of my HDR, but still the result is quite impressive, un realistic I would say. Here you can compare it with the result I got from just one of the shots, the one that offered the best exposure and that I had to work in Lightroom with some dodging and burning and selective retouching. You can judge yourself and pick the one you like the best.

How can you give life to a block of marble?

How can you give life to a block of marble? Well, sculptors do. They know how to make a 2 tons piece of unanimated rock turn into something alive. Michelangelo fired his hammer against his Moses once it was finished asking ”Perché non parli?” (Why don’t you talk?), and if you are like me and like sculptures, you will be probably staring at a statue in awe mouth open and with your head going blank.

I’m not a great fan of paintings, or I should better say not as much as I am of sculptures. Classic sculptures are my favorites, from the ancient Greeks and Romans masterpieces to Donatello. Funny to admit it; being a photographer or at least someone who is in love with photography and working on his learning process, painting should be the thing to look at with more attention. The use of light, then rule of thirds, the search for the third dimension, all valuable inputs any photog should grab from the master painters. Yet it is harder for me to understand how a man can sculpt the body of The David and Goliath, than painting The Last Supper. Probably I have the wrong concept that if you make a mistake while working on your canvas you can go back and somehow fix it, but if the scalpel knocks out too much marble your work has gone for good.

Now, just to make something clear I’m not an educated lover of sculpture, paintings or art in general. Yet I grew up in a city like Rome and spent long summer holydays in Tuscany, hence art and architectural beauties where around me all the time. I’m pretty sure that my small brain and my short sighted eyes absorbed all that beauty like sponges, and stored it somewhere. Now it floats to the surface and every once in a while, when I have the chance to witness shows of manmade wonders I breath it deeply, and if I have the camera with me I grab my vision of it.

Wandering around the Vatican Museums for a whole day has been such a grateful experience that I almost thanked my wife for dragging me there. I was scared to go, mid August, crowded with people, sticky hot… not a great plan. My longing to see the museum was being beaten by my laziness, but thank God I was not alone. To my surprise, once inside the Museum I was alone. Not that the thousands of people grazing around have gone at once, just that when I put my eye behind the viewfinder of my Nikon everything softened out and quieted down.

My wife had her ear glued to the audio guide and never interrupted me in my inspired journey through those wonders. I was literally absent, walking on a cloud and filling GB of images. Thus, I wasn’t shooting like a madman; neither was I looking for the most famous statues or masterpieces. I mostly shot what I liked, the way I liked it and using the available light as much as I could. Looking back at the images I have the exact proof of what I’m now stating so confidently. The only real good images I have are those I shot with the most passionate feeling, being attracted by the details or the rim of light coming through the windows, or the composition I managed to get by moving around it and profoundly looking for the best possible angle (at least for me).

Last but not least I shall not forget the editing work in Lightroom. I couldn’t be happier of my reading of David duChemin book “Vision & Voice”. His work is having a profound influence in the developing of my images and especially for things like sculptures, I believe that the editing process is utterly important and I tried to take care of it the best I could. I hope that they manage to convey what I want them to, and the way I felt about them.

There’s still a long way to go but we’re working hard J

Three from Rome

I have been few days in Italy visiting the family and enjoying my vacations; needless to say I had an amazing time. Few days in Rome and few others in Tuscany allowed me to grab quite a few Gigabytes of images with my D90.  For these two weeks I borrowed a Nikkor 24-70 f2.8 that I have used a lot. Is not a lens designed for an APS sensor but I must say that was tough for me to unscrew it from the camera. What a superb piece of engineering! What a sharpness! It has been an unfortunate move to carry it with me, now I brutally raised my quality demand, and in addiction to that I also put my eye on the 70-200 f2.8VR to replace the already sold 18-200VR.  I’m longing for a fast bankruptcy because they would both work well with a FX body…..

Anyway, back to Rome for the moment. I took my wife for some brief sightseeing visits and collected most of the shots during a late afternoon one that eventually stretched into the night. Being together with someone who wants to see things and walk around at a different pace than yours is not the best option to do the things properly but she’s patient and I had my share of time. As a matter of fact I also carried my tripod, which is not known for being a tool that fastens things up.

The Gianicolo is one of those spots you must visit. Is one of the roman hills and the view you get from there is quite staggering. Rome spreads in front of your eyes like a renaissance painting, the old mixes with the new and the churches’ domes scratch the polluted sky. The sky was dark but the sun was finding its way through the clouds giving me the chance to grab at least a dramatic light. For this image I did a bit of work in Lightroom, transforming it in a duotone and pumping up the contrast. For the original shot I used a ND Grad filter but I enhanced a bit more the sky with an additional grad filter in post.

Then it got dark and it was that magical hour when the tungsten lit buildings create that amazing contrast against the dark blue sky. I love this time of the day, even an average image collects few extra points, and most of them are quite elegant to say at least. Doesn’­­t last for too long though, so you have to work pretty fast to seize the moment. In this case I had a problem with quite a bulky and dark object in the foreground, name it statue: Marco Aurelio’s. I took a first shot, and it was quite poor. With a 30 seconds exposure I had the sky well exposed as well as part of the building, but the statue was pitch dark and the lights burned out. So I took a different approach; slowed the exposure to 20 seconds and pulled the SB800 out of the waist jacket. I don’t know how many times I have used the speedlight so far to dramatically change the result of an image, being this animated or not, this for sure has been one of those. With the camera on the tripod, during the whole length of the exposure I painted the statue with the flash and pulled out most of the details not long before hidden in dark shadows.

When the sky turned black I was still around Piazza Venezia trying to figure out how to make a decent image with so many people around, work in progress, cars and bad lights. Finally I decided to go for the Chiesa del Santissimo Nome di Maria, in front of the Foro Traiano including the famed Colonna Traiana. There’s nothing really special in this image, but I had a ball working on the HSL in Lightroom retouching saturation, luminance and hue in most of the colors.

Obviously there’s much more photos in the laptop’s hard disk but either I had not much time to edit them, or they were not worth it. Soon more stuff about Rome though, maybe some museum….

Flash among the ruins

Last week I was in Rome with the family and decided to go with the wife to Villa Adriana, a magnificent ruin near Tivoli, not far from the capital. The Villa was built as retirement place for the emperor Adriano, around II ac on an area of 300 hectares.

This is a magnificent place. Simply amazing, I'd say. I highly recommend anybody visiting Rome or Italy for that matter to spend an afternoon there.

Of course there's a lot of monuments, ruins, lakes, pools, gardens to see and photograph and during one of the least inspired days of my life I came up with some experimental shots. At least experimental for me. First I decided to use the flash as much as I could in order to handle a bit the major exposure difference I was finding from a spot to another. Then, for the same reason I placed a Graduated filter in front of the lens. Even though sometimes in a different manner. Tripod was left at home.

This first shot is an arch opening to a beautiful pool surrounded by columns. This is called the Teatro Marítimo, one of the most outstanding areas of the Villa.
As you can see from the first image I exposed for the sky with the result that the arch is dark and underexposed. Image straight from camera RAW

In this second image I took the SB600, put it off camera and fired it through the CLS. The arch is now properly exposed and the sky as well. There was people looking at me when I was taking these photos and they were pretty puzzled by the fact that I was lighting a piece of history with a small flashgun. To be honest with you I felt weird too, but driven by my experimental mood, I proceeded. The flash was handheld camera left and pointed upward with a slight angle, the maximum allowed by my arm's lenght. Image straight from camera RAW

As far as the Grad filters is concerned I used it in this other situation where the pavement was well lit and the roof too dark. In this image you can see the straight result, with no filter. Image straight from camera RAW

Then I placed the filter upside down, darkening the floor and correcting the exposure difference. Nothing to rave about, I think many photographers have been using this for ages but it was fun for me to try it and the results quite pleased me . Image straight from camera RAW.

Maybe I repeat myself but this is not the blog of a professional photographer. I know about shooting a guy with a fish but everything else is a learning curve for me and what I share with those who wants to read me, is simple day by day field work. I'm glad if I can help but is sure not my intention to "teach" anybody, in a straight manner.

Rome. Home?

Even though I was born in Florence, Rome is the place where I have spent most of my life. My house is still there, as my family. Now I'm based in Madrid, a city I like, and a country, Spain, that gave me a family, my adorable wife and daughter and a great job, which I love. Thus, Rome will always be Rome, home..I mean...you understand me.

Rome is a tough place to live. Traffic, pollution, very bad logistics, chaos, a lot of bureaucracy, you name it. Is supposed to be a big capital, probably some believe is THE capital and still has not a decent Subway service. Every time they start digging a hole there's a million ruins awaiting for them. For every short section of underground tunnel in Rome, they built a complete new line in Madrid. The pace is different, Rome seem to run fast in the streets, where everybody drives like Valentino Rossi (bikes are a big deal in Rome BTW) or Fernando Alonso, and yet, when it comes to build something, everything goes in slow motion. Is true, I now live in a city that moves fast, has an active and hard working major, and is able to complete very important works in a blink of an eye. I'm spoiled. But Rome is slow. Can't deny it. Is slow by all means, by any comparison.

Yet, I firmly believe that is THE most beautiful city in the world. Having had the chance to see a bit of this old planet, I cannot stop wondering at the Capital's beauties. The mix of very old, old and dramatic modern mess is stunning.

The narrow streets in Trastevere and the gigantic Coliseum, St Peter, and the Tevere river, a huge and unfortunately very polluted vein that flows through the city dressed in a green from another planet. It was called "Il Biondo Tevere" by the Romans. The blond river. I'm still wondering where that golden color has gone, but I know it has gone for good.

Being a Roman I rarely had the chance to properly visit the city. I've been here and there but there's always that sense of.. : "I'm here all the time, I can go and see it another day!" Wrong! Mistake! You end up seeing nothing, neither today nor tomorrow, and you miss some spectacular stuff.

Funny enough, it has been thanks to the assignment for a Spanish photo magazine that I HAD to go and see my city. Move my ass. Explore it, grab the light and the sight and put them together in form of digital files. This happened in different occasions. I had the winter and the rain and the summer and the sun. I wandered around the ruins and among the people, walked the high street and hid in the shade of the little "vicoli" near Piazza Navona. The main target was a decent shot but the truth is that I found myself mouth agape looking at what I have been missing for some good 40 years of my dumb life.

For several reasons I didn't go to Rome too often but chances are I will be there again soon. The grandmother wants to see her granddaughter and I need to get back to refresh my Italian, that is now melting in a dangerous mix with the Spanish and it scares the hell out of my progenitor

If I feel lazy and don't want to walk around for a sightseeing my camera drags me out. She is teaching me how to appreciate the details and the big scheme of things and she's giving me a reason to walk for miles, unaware of the complains of my aching feet.
She's turning what was a boring activity into a pleasure and an interesting and instructive thing to do. Can't wait to be back to walk trastevere in a wet afternoon, with the puddles reflecting the old buildings and the weird people you see around. No matter if my photos come out good or not, I have a good excuse to dive into such a beautiful city. I mean CITY!